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News and Media

List of News and Media Articles

  • Name: Courtney Kidd

    Job Title: Art Consultant

    What year did you join the Artbank team? 2003

    Describe your role and what you enjoy about working for Artbank:
    I came to this unique organisation from a background in visual arts writing and lecturing and this stood me in good stead for the role. Being passionate about the significance of art in contemporary Australian culture is an important part of it. In the position, I’ve acquired extensive knowledge of the Artbank collection and the unique place it holds as a leasing library of visual art. I enjoy the challenge of offering a high level of professional expertise while straddling commercial and artistic imperatives but the best bit is working with the terrific range of clients that utilise Artbank’s collection.

    Favourite artwork from the Artbank collection: Sidney Nolan, Harbour Bridge, c.1979, crayon on paper.

    Short explanation of your artwork selection:
    Harbour Bridge by Sidney Nolan is one of my most favourite works in the Artbank collection. It is physically small and often small works get lost in large collections. However, the raw simplicity, fresh naivete and deftly applied gestures of colour make this exquisite crayon on paper object utterly mesmerising.

    Sidney Nolan, Harbour Bridge, c.1979, crayon on paper.

    Sidney Nolan, Harbour Bridge, c.1979, crayon on paper.

  • Name: Paul Adair 

    Job Title: Collections Officer

    What year did you join the Artbank team: 2018

    Describe your role and what you enjoy about working for Artbank:
    As a Collections Officer I contribute to the overall management of the Artbank collection to ensure the appropriate storage, conservation and display of artworks and objects from the collection. I also assist with international shipping, exporting Artbank artworks to ports all over the world. 

    Select an Artwork to represent you: #12658
    #12658Kenzee Patterson, amulet, 2010, Cast stainless steel and paint. 

    Short explanation of your artwork selection:
    amulet is a cast stainless steel ice cream tub which has been painted with googly eyes. I often respond to humour and use of everyday objects in contemporary art. Particularly sculptural objects that refer to something other than themselves. Kenzee’s practice has a depth and rigour which accompanies an object’s sometimes slight presence, which I respect and admire.

    Elizabeth Newman, Untitled, 2009, Wool, synthetic fabric, cotton, linen.

    Elizabeth Newman, Untitled, 2009, Wool, synthetic fabric, cotton, linen.

  • Artbank Year in review 2023-24 banner

    Artbank is pleased to present our Year in Review 2023-24.

    Highlighting some of our key achievements and showcasing the artworks we have acquired by the best Australian contemporary artists from across the nation in the 2023-24 financial year, we hope you enjoy reading our Year in Review report. 

  • Man lying on back floating in clear aqua water next to a topographic shot of the reef in the Torres Strait

    Jimmy John THAIDAY. 'Just Beneath the Surface,' 2023 digital video (Stills)

    Artbank Sydney Window 

    Are we there yet?  - Curated by Artbank 

    29 February to 12 April 2024 

    SNO  176  - Curated by Andrew Leslie and SNO Collective 

    2 May –  2 June. Opening and performance 8 May 

    Artbank X NIAF 

    25 June – 11 August. Opening event 27 June 

    Countesses are Calculating. Curated by Countess.Report (Amy Prcevich, Elvis Richardson, Miranda Samuels and Shevaun Wright)

    4 September  –  1 November 

    Still Life: Artworks from the Artbank Collection 

    7 November –  10 January 

     

    Melbourne Project Space 

    Double Take: Photographs from the Artbank Collection

    4 March – 26 April, 2024

    Melbourne Design Week 2024 – Narelle Desmond and the Artbank Collection

    23 May – 5 July, 2024

    Gertrude Street Projection Festival 2024 

    27 July – 20 September, 2024 

    Holding On: Ceramics from the Artbank Collection  
    21 October - 20 December, 2024

     

     

  • Artbank Year in Review

    Artbank is pleased to present our Year in Review 2022-23.

    Highlighting some of our key achievements and showcasing the artworks we have acquired by the best Australian contemporary artists from across the nation in the 2022-23 financial year, we hope you enjoy reading our Year in Review report. 

  • Marielle Soni

    Marielle Soni was Senior Art consultant and inaugural manager of Artbank's Melbourne showroom from 2004 until leaving Artbank in 2015 and as such was integral to its initial and ongoing success.  Marielle came to Artbank directly from managing Jilamara Arts centre on Melville island in the northern Territory, bringing not only a deep knowledge of the art practice of the Tiwi islands, but an independent way of thinking, a strategic outlook and a resilience that proved invaluable to the organisation.  Marielle was a champion of artists and their practices, counting many artists among her close friends, and, most importantly for Artbank, genuinely interested in engaging people with art - she was passionate about the role of art in building community.

    She was a terrific colleague. Smart, hard working, supportive but not soft, and direct - never afraid to speak up if she thought things could be done better, and as such a great sounding board for me as Director. I always felt Melbourne to be in capable hands. As a manager she was exemplary; calm, compassionate, supportive, but not afraid of the hard conversation, inspiring fierce loyalty in her team. She was equally great with clients, building lasting relationships, ensuring their ongoing support of Artbank over many years, and building the solid business base that supports the Melbourne business to this day.

    All of these attributes served her equally well as a friend; sensible, thoughtful, loyal; always one whose advice you could safely, and would wisely heed, and as a stellar human; curious, engaged, passionate and fierce when required. All of which can make her sound a bit intense, which she wasn't. She was also joyful, a swirl of mad colour, a fashionista extraordinaire, and queen of the statement shoe. She will be sorely missed by all and my thoughts are with her daughter Aamini and all her family at this terribly sad time, but it's also worth remembering that Marielle really did make a difference. She will be remembered.

    Tribute by Geoff Cassidy Artbank’s Director from 2006 -2012

  • web banner

  • AMCI X ARTBANK 

    Reko Rennie: What Do We Want?

     An army of First Nations warriors come out to play in Kamilaroi artist Reko Rennie’s latest action-packed video.



    “What Do We Want?”  

    “Land Back! Sovereignty! Freedom!”



    ACMI and Artbank are proud to present the second ACMI x Artbank Commission with the world premiere of Reko Rennie’s action-packed three-channel video work What Do We Want?, showing in ACMI’s largest gallery space from 1 April to 1 May 2022. 



    The ACMI + Artbank Commission was established in partnership with Artbank, and is a three-year commissioning program that enables Australian artists and filmmakers to create new works that are conceived at the intersection of art and cinema.

    FIND OUT MORE

     

    Briggs and Caine Muir in a still from Reko Rennie: What Do We Want? -  Photo by Ellery Ryan. Courtesy Reko Rennie and STATION.

    Photo by Ellery Ryan. Courtesy Reko Rennie and STATION

    Reko Rennie and other artists in a dojo lined up in black karate clothes. Still from Reko Rennie: What Do We Want? Courtesy Reko Rennie and STATION

    Photo by Ellery Ryan. Courtesy Reko Rennie and STATION

    Two katate combatants (one holding a small Australian flag) square off in a still from Reko Rennie: What Do We Want? Courtesy Reko Rennie and STATION

    Photo by Ellery Ryan. Courtesy Reko Rennie and STATION